Sunday, March 12, 2023 | 2–3:30pm
ADMISSION: Free with Museum admission
Photographer Gillian Laub, whose exhibition Gillian Laub: Family Matters is currently on view at The Contemporary Jewish Museum in San Francisco, will join curator Maya Benton to explore two decades of Laub’s work and what it means to be an artist in this moment of increasingly polarizing politics and rising antisemitism.
Set against the backdrop of Laub’s powerful exhibition, the conversation will explore the ways in which Laub combines her personal identity with her work as a photographer, filmmaker, and visual activist. Her work interrogates areas of societal conflict and tension to prompt conversation and connection with her viewers. This conversation will include discussion of her work Testimony, documenting the lives of Muslims, Christians, and Jews living in Palestine and Israel; Southern Rites, her long-term project about adolescents grappling with the legacy of segregation and racially-motivated violence in the American south; and Laub’s iconic images of public figures, from LeBron James to Dolly Parton.
Laub and Benton will examine what is at stake in our present moment, and what we can do to ensure a thriving future for Jewish voices and perspectives.
This program is presented in partnership with Reboot and supported by the Jewish Community Federation and Endowment Fund.
This event is free with Museum admission. Click below to purchase tickets, and please review our health and safety guidelines before you arrive.
Gillian Laub is a photographer and filmmaker based in New York. Laub has spent the past two decades investigating political conflicts, exploring complex family and community relationships, and challenging assumptions about cultural identity. Laub’s first monograph, Testimony (Aperture), began as a response to the second intifada in the Middle East. Laub spent over a decade exploring issues of racism in the American South, which became Laub’s first feature-length documentary film, Southern Rites, which premiered on HBO. Her monograph, Southern Rites (Damiani) and traveling exhibition are used as a teaching tool in schools and institutions across the country. Laub's newest monograph Family Matters (Aperture), spanning over twenty years of photographs, explores how society’s biggest questions are revealed in our most intimate relationships; zeroing in on the artist's family as an example of how Donald Trump’s knack for sowing discord and division has impacted communities, individuals, and households across the country. An exhibition of Family Matters opened at the International Center of Photography in conjunction with the publication, and is now on view at The CJM. Family Matters has been reviewed by The New York Times, Washington Post, Wall Street Journal, and The New Yorker, amongst others.
Laub regularly contributes to the New York Times Magazine, Vanity Fair, and The New Yorker among other publications. Her photo essays and photographs have won numerous awards including most recently the Taylor Wessing prize for her portrait of the Obamas, which was exhibited at The National Portrait Gallery. She is a recent recipient of an NEA grant, a New York Foundation of the Arts Fellow, the Aaron Siskind Fellowship, and a distinguished alumni award from the University of Wisconsin-Madison. Laub has been interviewed on The View, NPR, CNN, MSNBC, Good Morning America, Times Talks, and numerous others. Laub’s work is widely collected and exhibited, and is included in the collections of the Brooklyn Art Museum, Harvard Art Museums, Museum of Fine Arts Houston, The High Art Museum, The Jewish Museum, Rose Art Museum, Corcoran Gallery of Art, and a wide range of corporate and private collections.
Maya Benton is a museum curator and art historian based in New York City. From 2008 to 2019, Benton was a Curator at the International Center of Photography (ICP) in New York, where she established a major archive and organized the most widely traveling exhibitions in ICP’s history. She has held positions in museums for twenty-five years, including the Getty Museum, RISD Museum, the Jewish Museum of Florence, Italy, and Harvard University Art Museums, and has served as curator-in-residence at several international galleries and cultural institutions.
Benton recently organized Southern Rites, an exhibition of photographer and filmmaker Gillian Laub’s contemporary images of racial segregation in the American South, that is traveling through 2025. Her next book, on Jews and photography, will be published by Aperture. She is currently spearheading the Jews and Photography Initiative, a collaborative of more than two hundred international curators, archivists, interdisciplinary academics, and critics who are interrogating the unique contribution of Jews to the medium of photography, with projects including the establishment of a Jewish Vernacular Photography Archive.
Benton is a graduate of Brown University, Harvard University, and the Courtauld Institute of Art in London. Last year, she was a Visiting Professor at Yale University, where she is currently a Visiting Fellow, teaching about and researching the intersection of Jews and photography.
For the last two decades, American photographer Gillian Laub has used the camera to investigate how society’s most complex questions are often writ large in our most intimate relationships. Throughout her career she has been simultaneously, and privately, documenting the emotional, psychological, and political landscape of her own family—exploring her growing discomfort with the many extravagances that marked their lives. Intense intergenerational bonds have shaped and nurtured Laub, but have also been fraught. Balancing empathy with critical perspective, humor with horror, the closeness of family with the distance of the artist, Gillian Laub: Family Matters offers a picture of an American family saga that feels both anguished and hopeful.
Gillian Laub: Family Matters is organized by the International Center of Photography, New York, and has been made possible through the generous support of Marina and Andrew Lewin, Benrubi Gallery, and, in part, by an award from the National Endowment for the Arts.
Public Programs at The CJM are made possible thanks to generous support from Grants for the Arts.
Header image: © Gillian Laub
Exhibition image: Gillian Laub, Cooper, Nolan and Bailey, 2003. © Gillian Laub