Aug 30, 2018–Jan 6, 2019
Clothing is intended to cover our bodies, but it also uncovers. To what extent is our choice of dress freely made, and how do our surroundings affect our decisions? This exhibition will focus on how clothes balance the personal with the social, how dress traditions distinguish different Jewish communities, and how they portray Jewish and secular affiliations within a larger societal context. These exquisite objects from the nineteenth and twentieth centuries demonstrate how diverse global cultures have thrived, interacted and inspired each other for centuries.
Feb 7, 2019–Jul 7, 2019
How do we depict “the self” if it is unknowable, inherently constructed, and ever changing? How does the concept of portraiture shift when categories are in crisis, and visibility itself is problematic? Jewish thought on performed and fluid identity can be interpreted in the book of Esther, and in the notion of G-d as “I am that I am,” ineffable and non-binary. These ideas uphold a Jewish understanding of the self as intrinsically mutable, unknowable, and yet self-determined, themes that animate Show Me as I Want to Be Seen.
Feb 22, 2018–Jul 29, 2018
Contraption: Rediscovering California Jewish Artists is a group show that presents the work of sixteen California-identified artists of Jewish descent—both historical and living—whose work refers to the machine either literally or metaphorically. Some of the artists are rarely seen now. Among the living artists, there will be large-scale mechanical installations by Bernie Lubell and Sheri Simons, as well as ceramics, drawings, sculpture and paintings by Ned Kahn, Bella Feldman, Howard Fried, and Annabeth Rosen. This original exhibition was co-curated by Chief Curator Renny Pritikin and Mark Dean Johnson, Professor of Art at SFSU.