FOR IMMEDIATE RELEASE
THE CONTEMPORARY JEWISH MUSEUM PRESENTS
Stanley Saitowitz: Judaica
A singular collection of newly-designed Jewish ritual objects
by San Francisco–based architect Stanley Saitowitz
November 3, 2011 – October 16, 2012
San Francisco, CA, October 20, 2011 – Award-winning San Francisco-based Stanley Saitowitz/Natoma Architects are known for a practice that combines the principles of early modern architecture with the materials, techniques and sensibilities of the 21st century. Raised in a traditional Jewish family in South Africa, Saitowitz has designed private residences, institutions, public and commercial spaces, and religious architecture across the globe. Among the many commissions he has completed during his 30-year career are a number of significant Jewish spaces, including the Holocaust Memorial in Boston and the critically acclaimed Temple Beth Shalom in San Francisco’s Richmond District.
Now, Saitowitz brings ancient tradition and contemporary design together in Stanley Saitowitz: Judaica, an extraordinary display of modern Jewish ritual objects on view at the Contemporary Jewish Museum November 3, 2011 through October 16, 2012.
“This exhibition presents an opportunity to examine traditional Jewish objects from the point of view of an accomplished architect who thinks deeply about Jewish space and community,” says Museum director Connie Wolf. “We are thrilled to share Stanley’s perspectives on Jewish tradition with the public and welcome him back to the Contemporary Jewish Museum.” In 1984 when the Museum was founded, Saitowitz won a competition to design and build a sukkah as part of the Museum’s Invitational exhibition series. (A sukkah is a temporary shelter built to celebrate the holiday of Sukkot, the autumn harvest festival.)
Rendered in metal and inspired by Saitowitz’s commitment to a modernist aesthetic, the collection is characterized by the clean lines, rational proportions, and smooth, unembellished surfaces that also define Saitowitz’s architecture. Most of the 13 objects on view, were prototyped for this exhibition and have never been seen before. They range from those objects associated with daily ritual, such as the mezuzah affixed to the doorpost outside one’s home, to more festival-specific objects, such as the etrog box used during the harvest festival of Sukkot. The one-of-a-kind collection also includes a kiddush cup (a cup to hold the wine for sanctifying Shabbat), challah cover (a cover for Shabbat bread), havdalah set (implements to mark the conclusion of Shabbat), Shabbat candlesticks (these hold the two candles that are lit eighteen minutes before sundown to welcome Shabbat), a menorah (the eight-pronged candlestick used for Chanukah), seder plate (a plate holding the six items used for retelling the story of the Exodus at the Passover seder), matzah plate (holds the seventh symbolic item, the stack of three matzahs, used during the seder), tzedakah box (a charity box), rimonim (the ends of the staves around which the Torah scroll is wound), netilat yadayim cup (a cup used for ceremonial hand-washing), and a yad (the pointer used to read the Torah).
For Saitowitz, the ritual objects carry the immense power of a collective Jewish heritage and a personal family past. He remembers the candlesticks his grandmother carried in her suitcase when she escaped the pogroms in Riga; the kiddush cup his grandfather brought from Latvia, which his family used every Friday night in Johannesburg. But when he entered architecture school, he began to think differently about these familiar objects. “As I became more aware of the Judaic traditions, and understood better how material carries meanings, I began to see conflicts in the designs of the objects of my upbringing,” he says. “Many were ornamental and decorative, and conflicted both with my growing modernist preferences and with my understanding of the laws of Judaic objecthood, which forbade iconography and equated ornament and imagery with idolatry. So I began to wonder about other ways to look at these objects and to think about them as ceremonial instruments that expressed their function, rather than as decorative objects.”
Stanley Saitowitz: Judaica is the result of that life-long thought process. For this project, Saitowitz has been especially interested in how the Jewish traditions of non-figuration mirror the modern movement’s insistence on abstraction. “The objects on view here are a synthesis of these influences,” he says. “The disinterest in ornament and the direct expression of function that modernism sought has always been inherent in Judaic traditions. The structuring of thought as theological and Talmudic, minimalist and dialectical, where ideas and concepts govern laws and actions, is fundamental to modernism. Rigors similar to those of kashrut, which regulate what can and cannot be eaten, and shatnez, prohibiting the unnatural mixtures of materials, are traditional counterparts to contemporary modernist thinking.”
“The objects,” says Saitowitz, “Pursue direct and honest expression of their function as divine instruments.”
Copies of several items will be for sale as well. Saitowitz's mezuzah ($159.00), menorah ($395.00), and Shabbat candlesticks ($129.00) are available through the Museum’s gift store at 736 Mission St. in San Francisco during regular Museum hours (see www.thecjm.org for details). Phone orders are available by calling 415-655-7888.
About Stanley Saitowitz
Stanley Saitowitz was born in Johannesburg, South Africa and received his Bachelor of Architecture at the University of Witwatersrand in 1974 and his Masters in Architecture at the University of California, Berkeley in 1977. He is a Professor of Architecture at the University of California, Berkeley and Principal of Natoma Architects Inc. in San Francisco. He has taught at numerous schools, including the Elliot Noyes Professor, Harvard University GSD (1991-2), the Bruce Goff Professor, University of Norman, Oklahoma (1993), UCLA, Rice, SCIARC, Cornell, Syracuse, and University of Texas at Austin. He has given more than 200 public lectures in the United States and abroad. His first house was built in 1975, and together with Stanley Saitowitz/Natoma Architects Inc., has completed numerous buildings and projects. These have been residential, commercial and institutional. He has designed houses, housing, master plans, offices, museums, libraries, wineries, synagogues, churches, commercial and residential interiors, memorials, urban landscapes and promenades. These projects have received national and international recognition. Amongst many awards, the Transvaal House was declared a National Monument by the Monuments Council in South Africa in 1997, the New England Holocaust Memorial received the Henry Bacon Medal in 1998, and in 2006 he was a finalist for the Smithsonian Cooper Hewitt National Design Award given by Laura Bush at the White House. Three books have been published on the work, and articles have appeared in many magazines and newspapers. His paintings, drawings and models have been exhibited in numerous galleries and museums.
Stanley Saitowitz: Judaica has been organized by the Contemporary Jewish Museum.
Koret and Taube Foundations are the lead sponsors of the Contemporary Jewish Museum's 2011/12 exhibition season.
Stanley Saitowitz: Judaica
Opening Luncheon and Lecture
Thursday, Nov 3 | Noon – 1:30 PM
To celebrate this new exhibition, enjoy a luncheon and lecture with architect Stanley Saitowitz as he shares his process and aesthetic philosophy in creating a modernist line of Jewish ritual objects.
Reservations required. $25 General
About the Contemporary Jewish Museum
With the opening of its new building on June 8, 2008, the Contemporary Jewish Museum (CJM) ushered in a new chapter in its twenty-plus year history of engaging audiences and artists in exploring contemporary perspectives on Jewish culture, history, art, and ideas. The facility, designed by internationally renowned architect Daniel Libeskind, is a lively center where people of all ages and backgrounds can gather to experience art, share diverse perspectives, and engage in hands-on activities. Inspired by the Hebrew phrase “L’Chaim” (To Life), the building is a physical embodiment of the CJM’s mission to bring together tradition and innovation in an exploration of the Jewish experience in the 21st century.
Major support for the Contemporary Jewish Museum comes from the Koret and Taube Foundations, who are the Lead Supporters of the 2010/11 exhibition season. Additional major support is provided by the Jim Joseph Foundation; The Wallace Foundation; Bernard Osher Jewish Philanthropic Foundation of the Jewish Community Federation and Endowment Fund; Bank of America; Institute of Museum and Library Services; Grants for the Arts/San Francisco Hotel Tax Fund; The Hearst Foundations; Terra Foundation for American Art; Walter and Elise Haas Fund; The Horace W. Goldsmith Foundation; Osterweis Capital Management; The Skirball Foundation; and Target. The Museum also receives major support from the Jewish Community Federation of San Francisco, the Peninsula, Marin and Sonoma Counties.
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